Clients

Q:

How do you make initial contact with potential clients? Do you go straight for the phone or warm up through email? What do you talk about in that first conversation?

A:

This is the million-dollar question that has no definitive answer! Every person selling has a different method and every success story has different factors—sometimes simply good timing. Personally, I say never use the phone. I find phone calls intrusive since they require an immediate response at the caller’s chosen time. The best sales method, whether through email or conversation, is to follow the golden rule: “Do unto others as you would have them do unto you.”

Q:

I would really like to get a rep but the clients I work with tell me they don’t work with reps, they hire photographers directly. I feel I need a rep to take my career to the next level, but I’m concerned about my client’s response.

A:

To get a rep or clients that use reps, you need to shoot the style and level that would get these jobs. I can say this to all photographers – most of the issues that arise are based on your portfolio. Start with that and look to improve it to get the results you are looking for. 

Clients usually cannot provide specific prices or amounts you need to present a range of options for them to advise bringing you up or down.

Q:

What are some things to avoid when cold emailing?

A:

The most important part of a cold email is to avoid sounding cold. I try to be in the moment to write as I speak, keeping it as “not staged” as possible. 

• Sound human
• Avoid unnecessary words = short and to the point
• Add a touch of human flair

Bidding a job can be a quickly played, fast-paced, reactive decision game anticipating how the client could respond. The wrong move can cost us the job. We want to be honest about what we can do for their budget, but sometimes, we must educate the client to understand the situation and how we can best serve them. Be a part of their side of the process, join forces with them, and play the team player role.

One important way to impress the client on the creative call is to research them before the call. Bring your knowledge of their company into the call. 

Any other creative call ideas you’d like to share in the comments?

On a shoot, never share your stress with your client. Talk to your rep or someone else.

Q:

How do you know when your book is strong enough to start marketing to potential clients? I’ve heard you only get one shot and only one first impression. 

A:

You get more than one shot because clients in larger cities change over often. When a client sees potential in your book, they will often want to see where you take it and be the one to help launch your career. Your book is strong enough when you start bidding on jobs.

Q:

The hardest part of this business is dealing with clients ghosting you after engaging in several emails.

How do you get clients to give a quick update???

A:

“GHOSTING” is the new norm due to overworked, busy clients. Potential ways of getting responses include a clean-up of how we communicate:

1. Our note needs to be short, concise, clear, and fast.

2. End ours with the question instead of asking it in the beginning.

3. Assume it’s not good news and would be time-consuming for them to form their words, so you can ask in a way that allows them to say “yes” or “no.”

4. Listen to the ghosting as a business cue to take stock of why the client doesn’t need you right now.

When we don’t hear back from clients after submitting our bid for the job, I can almost guarantee (most often) that it is because they don’t have a budget anywhere close to our total. Assume that- before spending too much time and effort trying to follow up to make the job happen.