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Monday Q+A

Source Books for New Photographers

Q:

Do you really look through source books for new photographers?

A:

Guest Post, Art Producer: I find source books useful when I need to break from the digital-format search engine, but I primarily use social media (Instagram, Tumblr, Pinterest) when searching for a specific kind of inspiration – especially if the brief is more open ended and still in blue sky stages. These platforms are very accessible while offering a way to focus in on the topics you’re trying to nail down.

Website Design Elements

Q:

What are the 3 most important design elements to keep in mind when creating an impactful photography website?

A:

Rob Haggart, PhotoFolio: Your typeface, your logo, and your images are all that matter. The typeface should be modern, the logo should be minimal but professionally done, and the images should be the focus of the website. Art Directors love type and bad fonts can ruin great photography.

Hallmarks of a Great Photographer (Part 1)

Q:

What are some hallmarks of a Great Photographer? (Part 1)

A:

Producer, Will Taylor: Confidence and composure. They need to have the confidence to stand in the middle of a room with 25 people focused on them: the clients, agency, crew and talent (often celebrities). The photographer is able to calmly ponder the finer elements of an image, even amidst the chaos. A Great Photographer is willing to stop and scrap the entire effort on a shoot that isn’t going right and move onto another idea. More often than not, the next picture is even better! Remaining poised in the eye of the storm, that’s definitely a hallmark of a Great Photographer. 

Guest Post: Producer, Will Taylor

www.inkandoranges.com

Develop Your Style

Q:

How do I align my style/voice/aesthetic with clients? Or even figure out which market I best fit in?

A:

Paul Barshon: Stick with your style and the clients will come to you for your look. Trying to chase a style that’s in vogue at the moment always leaves you a step behind. It’s nice to look at other photographers to see what is new and look at new techniques, but your style is what will get you work. Stick with the subjects that you enjoy shooting – this will lead you to a place where the market will find you.

The Right Photographer

Q:

Does a rep match a photographer to a project? I.e., does a rep evaluate whether a certain project is actually RIGHT for that photographer; their aesthetic, their vision, their desired projects?

A:

No. Reps don’t have that much power. We are the negotiation voices for our photographers so we are asked to bid someone that they choose. I am sometimes asked to send them a photographer who would be good for their project, but they ultimately decide who they want to bid and then hire.

Engage your Audience

Q:

(via APA National) What are three things to keep in mind for client presentations, creative meetings, keeping people engaged?

A:

Art Streiber: The primary thing to remember when you’re speaking or presenting is that you are a storyteller. First and foremost, you have to have an engaging narrative, a through-line, a beginning, a middle and an end. Secondarily, keep it light and fun. Make ‘em laugh! Next? Know your audience. Don’t get bogged down in tech talk with people that don’t know what an F-stop is…save your shutter speed jokes for the big photo nerds. And DO YOUR HOMEWORK. Know what you’re talking about. Otherwise, why should anyone listen?

What Reps Look For

Q:

What are reps looking for?

A:

Reps are looking for a photographer who will fit into their company and the clients they work with. 

We also look for people who will reinforce the branding of our companies and the photographers we already rep. Personally, I look to rep people I believe in, who I will enjoy collaborating with and that I can share in their vision.

Assisting as a New Photographer

Q:

Do you think it’s important for a photographer to spend time assisting professional photographers before launching their own career? And if so, what kind of photographer should someone assist?

A:

This really depends on the photographer and what they need to learn. Some photographers never assist and end up wildly successful. But assisting can be extremely informative and build your confidence. If a photographer needs to learn what an editorial or commercial advertising job is like then they can assist any type of photographer in that market. If they need to learn more about the technicalities of shooting cars or people, then they should assist a photographer that does that kind of work. Figure out what you need to learn and assist in that. Or jump right in! There is no straight answer here…

Designing a Website

Q:

What are some things to keep in mind when designing a website, as a photographer?

A:

Your website should look professionally designed and be easy to navigate. The site should immediately entice your visitor. This of who your audience is and use a web template like https://www.photofolio.com/ to speak their language.

Portfolios + Reps

Q:

What is considered a standard “book” for somebody seeking representation… is it a website? A physical book? Something else?

A:

The standard book question does not have one absolute answer but it is good to have a website, an active Instagram presence, and a printed book. An iPad can be your portfolio although right now printed books are the hot item.